Daejeon, Republic of Korea
Main Conference Program
Room assignments and session chairs are TBA and will be announced closer to the conference. Times shown are local (KST, UTC+9). All sessions are streamed via Zoom for hybrid participation. Presenting author(s) appear in bold green. Posters are on display Wed–Fri, with authors present on Wed 15:00–16:00.
Keynote Lectures
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Digital Humanities has focused on extending humanistic research through computational technologies: digitizing archives, analyzing texts, visualizing networks, and expanding access to cultural knowledge. In the age of generative AI, however, AI is becoming more than a tool for research. It is increasingly an intellectual environment within which human thinking, communication, learning, and cultural activity take place.
This transformation raises a critical question: if AI eventually performs much of humanity’s intellectual labor, how can human beings continue to live as self-directed agents rather than passive consumers of AI-generated meaning?
This keynote argues that the future mission of Digital Humanities is not simply to apply AI to the humanities or preserve traditional scholarship in digital form. Instead, Digital Humanities must become a practical discipline of human self-formation within AI environments.
In the near term, this mission takes the form of “teaching AI humanities”: restructuring classical texts, cultural knowledge, and humanistic traditions into forms that AI can meaningfully interpret. Yet the deeper purpose of this work is not merely to improve AI. By teaching AI, humanists simultaneously train themselves to think critically, act intentionally, and engage creatively within AI-mediated worlds. This process reflects the classical East Asian idea of jiaoxue xiangzhang (敎學相長)—teaching and learning as mutual growth.
As a practical example, this keynote introduces the AI Classical Translation Studies Program* and its interactive platform, CCTI (Classical Chinese Text Interpreter)**. In this educational model, scholars move beyond the role of translators to become guides who help AI engage with the complexities of classical humanistic knowledge. Through iterative cycles of interpretation, knowledge structuring, AI interaction, and critical revision, both AI and human participants develop their capacities. The project demonstrates that structuring humanistic knowledge for AI does not diminish the role of scholars; rather, it provides a practical framework for strengthening human agency in an AI-saturated world.
Ultimately, Digital Humanities should aim not only to preserve knowledge, but also to cultivate the human capacity to choose, interpret, question, and shape one’s own life within an AI-driven civilization. In this sense, Engagement is no longer merely participation in digital culture; it is the ongoing human practice of consciously engaging with AI while retaining the capacity for self-direction and meaningful action.
* AI Classical Translation Studies Program
** CCTI (Classical Chinese Text Interpreter) — Manual
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The Computational Stylistics Group exemplifies a quiet revolution in digital scholarship: the rise of informal, bottom-up, lightweight, ad hoc, and self-governed collaborative research networks. Loosely affiliated across a few academic institutions and sustained by scholarly curiosity rather than grant-oriented research agenda, the Group demonstrates how agile, low-resource collaboration can produce high-impact work.
Unlike experimental sciences, which often depend on expensive, centralized infrastructure that only top universities can afford and sustain, Digital Humanities thrives on open, community-built tools and shared standards. Such a dispersed research infrastructure includes not only hardware, but also datasets, conversion schemas, repositories, tools, and methodological frameworks, which all shape our scholarly lingua franca. TEI, Voyant Tools, NLP, Python, R, Topic Modeling, Network Analysis, LOD, IIIF – these and similar concepts have become the invisible scaffolding of our field. The R package ‘stylo’, developed by the Computational Stylistics Group, operates within this ecosystem not as a competing giant, but as a vital, accessible node – democratizing computational text analysis for scholars without advanced programming training.
Text analysis has a particular potential to serve as a starting point for newcomers to DH. The package ‘stylo’ offers a gentle introduction to this area of study, being an entry-level software to conduct text classification in no time. Taught at DHSI, ESU, and other international summer schools, it has helped embed computational text analysis into DH pedagogy.
This talk will explore how informal, bottom-up networks like the Computational Stylistics Group are redefining what research infrastructure can be in DH. Rather than awaiting top-down solutions, we can cultivate a more equitable, sustainable, and pedagogically integrated DH practice by promoting open tools, shared standards, and community-driven training. The future of DH infrastructure is not just in servers and grants – it’s in the collaborative, lightweight spaces where scholars make analysis possible for everyone.
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Galleries, Libraries, Archives, and Museums (GLAM) are spaces of memory, encounter, and reconnection for Indigenous peoples worldwide. They are also institutions whose colonial foundations continue to shape who decides, who is named, and on whose terms, knowledge is accessed and shared. For Indigenous peoples, engagement with archives is a long-standing question, grounded in the Right to Know and the Right of Reply, and one that takes on new urgency as GLAM and digital humanities operate within a changing technological landscape.
This keynote presents a Living Indigenous Archives methodology as a framework for engaging meaningfully and responsibly with archives. Drawing on three decades of practice across Australian archives, libraries, and Indigenous-led research, the methodology examines the colonial foundations of archival practice while centring Indigenous ways of knowing, being, and doing. It supports Living Indigenous Archives on Country and the provision of appropriate care for community archives, and offers new approaches for negotiating the colonial archive through relational research methods.
The presentation places this work within two important Indigenous-led international movements that influence GLAM and the digital humanities. The International Council on Archives’ Tandanya–Adelaide Declaration urges archives globally to become ethical spaces that promote encounters, respect, and collaboration with Indigenous communities. Additionally, Indigenous Data Sovereignty emphasises the rights of Indigenous peoples to control data, records, and knowledge concerning themselves, their communities, and their land.
The talk offers opportunities for context-aware, community-led practice in GLAM and digital humanities, organised around three connected conversations: relationality, transparency and accountability.
All keynotes are open to on-site and virtual participants and held in the Grand Ballroom.
Schedule at a Glance
Legend
🌐 AI Translation rooms offer real-time AI-powered translation support. Track 11 is the Grand Ballroom.
Questions about the program? Contact kadh2026@gmail.com.
